出版日期：2008年01月
ISBN：9787544602556
[十位：7544602559]
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《美国女作家作品欣赏》内容提要：
《美国女作家作品欣赏》收录不同时期的美国女作家30名,作品39篇(部分为节选),时间上自17世纪殖民时期,下迄21世纪。
《美国女作家作品欣赏》由作者简介、内容提要、作品选读和注释四部分组成。作者简介包括作家生平事迹介绍与作品分析;注释内容力求翔实,以便尽可能地帮助读者阅读与理解原文。
《美国女作家作品欣赏》可作为英语专业高年级文学课程的教材或课外阅读材料使用;对于一般的美国文学研究者与爱好者而言,它也不失为—本非常理想的读物。
《美国女作家作品欣赏》图书目录：
ANNE BRADSTREET(1612-1672)
The Author to Her Book
Here Follows Some Verse upon the ldurning of
Our House
HARRIET BEECHER STOWE(1811-1896)
Uncle Tom'S Cabin(Excerpt)
EMILY DICKlNSON(1830-1886)
Success
I Taste a llquor Never Brewed
He Ate and Drank the Precious Words
YOU Cannot Make Remembrance Grow
SARAH ORNE JEWETT(1849-1909)
The Courti ng of Sister Wisby
KATE CHOPIN(1851-1904)
The Story of an Hour
MARY WILKINS FREEMAN(1852-1930)
A New England Nun
CHARLOTTE PERKINS GILMAN(1860-1935)
The Yellow Wallpaper
EDlTH WHARTON(1862-1937)
Roman Fever
WIllA CATHER(1876-1947)
Neighbou r Rosicky
EllEN GLASGOW(1873-1945)
JOrdan's End
SUSAN GLASPEll(1882-1948)
A Jurof Her Peers
KATHERINE ANNE PORTER(1890-1980)
Noon Wine
DOROTHY PARKER(1893-1967)
llttIe Curtis
llIAN HEllMAN(1905-1984)
Watch on the Rhine
EUDORA WELTY(1909-2001)
Illy Daw and the Three Ladies
MARY McCARTHY(1912-1989)
Yonder Peasant,Who IS He?
TIllIE OLSEN(1913-)
Tell Me a Riddle
JEAN STAFFORD(1915-1979)
The Wedding:Beacon Hill
CARSON McCUllERS(1917-1967)
The Ballad of the Sad Cafe
GWENDOLYN BROOKS(1917-2000)
Kitchenee Building
Of De WiN Williams on His Way to llncoln Cemetew
The Mother
SHIRLEY JACKSON(1919-1965)
One Ordinary Day,with Peanuts
GRACE PALEY(1922-)
Goodbye and Good Luck
FLANNERY O'CONNOR(1925-1964)
Everything That Rises Must Converge
ANNE SEXTON(1928-1974)
Cinderella
Unknown Gin the Maternity Ward
MAYA ANGELOU(1928-)
On the Pulse of Morning
LORRAINE HANSBERRY(1930-1964)
A Raisin in the Sun
Act Two
Act Three
TONI MORRlSON(1931-)
Beloved(Excerpts)
JOYCE CAROL OATES(1938-)
Where Are You Going,Where Have You Been?
AllCE WALKER(1944-)
The Color Purple(Excerpts)
BARBARA KINGSOLVER(1955-)
Rose-Johnny
后记
……
《美国女作家作品欣赏》文章节选：
After she had the robes tucked around her she took another look at the woman who sat beside her on the back seat. She had met Mrs. Peters the year before at the county fair, and the thing she remembered about her was that she didn't seem like a sheriff's wife. She was small and thin and didn't have a strong voice. Mrs. Gorman, sheriff's wife before Gorman went out and Peters came in6, had a voice that somehow seemed to be backing up the law with every word. But if Mrs. Peters didn't look like a sheriff's wife, Peters made it up in looking like a sheriff. He was to a dot the kind of man who could get himself elected sheriff7- a heavy man with a big voice, who was particularly genial with the lawabiding, as if to make it plain that he knew the difference between criminals and non-criminals. And right there it came into Mrs. Hale's mind, with a stab8, that this man who was so pleasant and lively with all of them was going to the Wrights' now as a sheriff,
"The country's not very pleasant this time of year," Mrs. Peters at last ventured, as if she felt they ought to be talking as well as the men.
Mrs. Hale scarcely finished her reply, for they had gone up a little hill and could see the Wright place now, and seeing it did not make her feel like talking. It looked very lonesome this cold March morning. It had always been a lonesome-looking place. It was down in a hollow, and the poplar trees around it were lonesome-looking trees. The men were looking at it and talking about what had happened. The county attorney9 was bending to one side of the buggy, and kept looking steadily at the place as they drew up to it.
"I'm glad you came with me," Mrs. Peters said nervously, as the two women were about to follow the men in through the kitchen door.
Even after she had her foot on the door-step, her hand on the knob, Mar tha Hale had a moment of feeling she could not cross that threshold. And the reason it seemed she couldn't cross it now was simply because she hadn't
…… 美国的妇女作家,无论从数量上,或是从她们创作的质量上来说,都是美国文坛一支不可忽视的力量。自17世纪艰苦创业的殖民时期一直到波诡云谲、风云激荡的21世纪,阅历不同、风格各异的美国女作家们,以小说、戏剧、诗歌等不同的文学样式构筑了美国妇女文学的总体风貌,使其成为美国文学研究中一个专门的领域和美国大学英美文学专业中的一门课程。
美国妇女作家承袭了早期殖民时代玛丽·罗兰森(Mary Rowlandson)、萨拉·肯布尔·奈特(Sarah Kemb~Knight)等人写日记、回忆录的传统以及随后各时期女作家埃米莉·迪金森(Emily Dickinson)、萨拉·奥恩·朱伊特(Sarah Orne Jewett)、玛丽·威尔金斯·弗里曼(Mary Wilkins Free-man)、伊迪丝·沃顿(Edith Wharton)、威拉·卡瑟(Willa Cather)等人以当地女性经历为素材的特点,并逐渐形成了自己的创作特色。
文学与社会的发展是息息相关的,美国妇女文学也与欧美的妇女解放运动有着密切的关系。早在18世纪,西欧妇女即以法国大革命时期诞生的《人权宣言》为依据,要求享有与男子同等的权利。1848年,美国妇女也在美国《独立宣言》精神的导引下,在纽约召开了**次妇女代表大会,并草拟了《感情的宣言》(The Declaration of Sentiments),呼吁妇女摆脱在家庭中的从属地位。19世纪,欧美妇女运动的主要目标是获取受教育和就业的机会,并废除限制已婚妇女合法权利的各种法律。到了20世纪初,英国妇女首先行动起来,组织了“妇女社会政治联盟”(Women’s Social and PoliticalUnion),要求与男子享有同样的选举权。在美国,也产生了相应的组织--“全美妇女选举权协会”(National American Woman Suffrage Associ-ation)。经过长期的示威、抗议、斗争,欧美各国妇女先后在二三十年代获得选举权。
在美国的妇女运动中,夏洛特·帕金森·吉尔曼(Charlotte Perkins Gil-man)是一位杰出的人物。她到处作演讲,伸张女权,并著书立说,阐明她对妇女问题的立场和观点。她还以文学创作的方式来揭示妇女在以男子为**的社会中的遭遇。她的著作《妇女与经济学》(Women and Economics,1898)曾被译成7国文字,并被作为大学教科书使用。